Pre-publication party with Rachel Cantor
Join us on June 30 at 5:30, in our West Hartford location, to celebrate the upcoming publication of Rachel Cantor's newest book, Half-Life of a Stolen Sister. Rachel will be in conversation with River Bend bookseller, Veronica Brooks-Siegler
We'd love to know if you can make it. Kindly RSVP below.
Scroll down to pre-order and secure your copy for the event! If you can't make it, Rachel will be signing and personalizing books, so you can pick yours up at a later date. We also ship across the U.S.!
About the Author
Rachel Cantor is the author of the novels A Highly Unlikely Scenario and Good on Paper. Her short stories have appeared in The Paris Review, One Story, Ninth Letter, and The Kenyon Review, among other publications. Cantor lives in Brooklyn, New York.
About the Book
Half-Life of a Stolen Sister:
Reimagines the lives of the Brontë siblings—Charlotte, Emily, Anne, and brother Branwell—from their precocious childhoods, to the writing of their great novels, to their early deaths.
A form-shattering novel by an author praised as “laugh-out-loud hilarious and thought-provokingly philosophical” (Boston Globe).
How did sisters Emily, Charlotte, and Anne write literary landmarks Jane Eyre, Wuthering Heights, and Agnes Grey? What in their lives and circumstances, in the choices they made, and in their close but complex relationships with one another made such greatness possible? In her new novel, Rachel Cantor melds biographical fact with unruly invention to illuminate the siblings’ genius, their bonds of love and duty, periods of furious creativity, and the ongoing tolls of illness, isolation, and loss.
As it tells the story of the Brontës, Half-Life of a Stolen Sister itself perpetually transforms and renews its own style and methods, sometimes hewing close to the facts of the Brontë lives as we know them (or think we know them), and at others radically reimagining the siblings, moving them into new time periods and possibilities.
Chapter by chapter, the novel brings together diaries, letters, home movies, television and radio interviews, deathbed monologues, and fragments from the sprawling invented worlds of the siblings’ childhood. As it does so, a kaleidoscopic portrait emerges, giving us with startling intensity and invention new ways of seeing—and reading—the sisters who would create some of the supreme works of literature of all time.